Timelines is a duet featuring Harper's Landing (Lexi and Cole's canon story and the first in the Edgewater series) and Homesong (Lexi and Cole's story how it would have been if Lexi never left Edgewater).
- Harper's Landing -
She’s here to flip the family inn, not imagine the grumpy neighbor flipping her.
He knows better than to touch what he can’t keep.
Lexi Harper’s plan is simple: stay for a year, sell the inn, and get the hell out of Edgewater'''for good this time.
No anchors. No strings. No distractions. Especially not six-foot-five, whiskey-eyed, way-too-good-with-his-hands distractions.
Cole Dawson knows every creaky floorboard in the place next door. He held it together like he holds everything else—quietly, and on his own. Now it belongs to the woman who never wanted to leave, but doesn’t know how to stay.
Lexi’s anchor isn’t supposed to be him, because it isn’t supposed to be here.
But Cole’s got his own ghosts in the water.
He understands better than anyone—you can leave the past, but it never leaves you.
- Homesong -
What if Lexi Harper never left Edgewater?
It’s been three years since her brother's death, and Lexi is living and working at the inn.
Everything’s going fine until her gram sends her next door to ask Cole Dawson to help fix the fence.
His wife left six months ago, and it's been nearly a year since they lost their daughter.
When Cole agrees to help, Lexi doesn't expect much—but she does expect him to show up.
Cole Dawson isn’t the kind of man to break a promise, even when he's grieving, and Lexi has a feeling something is really wrong.
A text to her friend sees Cole’s best friend JD, tearing in for an intervention, and sets Lexi and Cole on an irreversible trajectory of proximity and reluctant allyship.
Lexi had forgotten Edgewater could be good. Cole thought he’d never let himself want again—but he wants her.
Harper's Landing and Homesong are intended to be read one after the other, with Harper's Landing first, as the basis for context. Both are open door romances intended for adults only. Trigger warnings are detailed within and on the author's website.
Genre: Romance
- Harper's Landing -
She’s here to flip the family inn, not imagine the grumpy neighbor flipping her.
He knows better than to touch what he can’t keep.
Lexi Harper’s plan is simple: stay for a year, sell the inn, and get the hell out of Edgewater'''for good this time.
No anchors. No strings. No distractions. Especially not six-foot-five, whiskey-eyed, way-too-good-with-his-hands distractions.
Cole Dawson knows every creaky floorboard in the place next door. He held it together like he holds everything else—quietly, and on his own. Now it belongs to the woman who never wanted to leave, but doesn’t know how to stay.
Lexi’s anchor isn’t supposed to be him, because it isn’t supposed to be here.
But Cole’s got his own ghosts in the water.
He understands better than anyone—you can leave the past, but it never leaves you.
- Homesong -
What if Lexi Harper never left Edgewater?
It’s been three years since her brother's death, and Lexi is living and working at the inn.
Everything’s going fine until her gram sends her next door to ask Cole Dawson to help fix the fence.
His wife left six months ago, and it's been nearly a year since they lost their daughter.
When Cole agrees to help, Lexi doesn't expect much—but she does expect him to show up.
Cole Dawson isn’t the kind of man to break a promise, even when he's grieving, and Lexi has a feeling something is really wrong.
A text to her friend sees Cole’s best friend JD, tearing in for an intervention, and sets Lexi and Cole on an irreversible trajectory of proximity and reluctant allyship.
Lexi had forgotten Edgewater could be good. Cole thought he’d never let himself want again—but he wants her.
Harper's Landing and Homesong are intended to be read one after the other, with Harper's Landing first, as the basis for context. Both are open door romances intended for adults only. Trigger warnings are detailed within and on the author's website.
Genre: Romance
Used availability for Evita Wren's Timelines