Excerpt from Four Plays for Dancers
Two of these plays must be opened by the unfolding and folding of the cloth, a substitute for the rising of the curtain, and all must be closed by it. The others, "The Dreaming of the Bones" and "Calvary," should have the same opening, unless played after plays of the same kind, when it may seem a needless repetition. All must be played to the accompaniment of drum and zither and flute, but on no account must the words be spoken "through music" in the fashionable way; and the players must move a little stiffly and gravely like marionettes and, I think, to the accompaniment of drum taps. I felt, however, during the performance of "The Hawk's Well," the only one played up to this, that there was much to discover. Should I make a serious attempt, which I may not, being rather tired of the theatre, to arrange and supervise performances, the dancing will give me most trouble, for I know but vaguely what I want. I do not want any existing form of stage dancing, but something with a smaller gamut of expression, something more reserved, more self-controlled, as befits performers within arm's reach of their audience.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Two of these plays must be opened by the unfolding and folding of the cloth, a substitute for the rising of the curtain, and all must be closed by it. The others, "The Dreaming of the Bones" and "Calvary," should have the same opening, unless played after plays of the same kind, when it may seem a needless repetition. All must be played to the accompaniment of drum and zither and flute, but on no account must the words be spoken "through music" in the fashionable way; and the players must move a little stiffly and gravely like marionettes and, I think, to the accompaniment of drum taps. I felt, however, during the performance of "The Hawk's Well," the only one played up to this, that there was much to discover. Should I make a serious attempt, which I may not, being rather tired of the theatre, to arrange and supervise performances, the dancing will give me most trouble, for I know but vaguely what I want. I do not want any existing form of stage dancing, but something with a smaller gamut of expression, something more reserved, more self-controlled, as befits performers within arm's reach of their audience.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Used availability for W B Yeats's Four Plays for Dancers