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‘I stood there holding the hundred-year-old letter with a feeling that was familiar from other archives, other bulging files of dog-eared paper. It was a blood-running-fast, itchy-palm, eyes-wide-open feeling of stumbling on something. A story . . .’
Rummaging around in the Archives one afternoon, Kate Grenville comes across an innocuous-looking file full of letters about a schoolteacher in New South Wales. Intrigued, she keeps reading – and discovers a tale far more curious and complex than first appears. Was Joseph Connor savagely beating the students in his care? Or was he the victim of a small-town vendetta? And what went so terribly wrong between him and his daughter?
Ultimately, Grenville simply has to know: was Connor a victim or a villain? Part colonial cold case, part locked-room mystery, part the dance of a writer's imagination among facts and semi-facts, The Country Schoolmaster is a book like no other. In it, the novelist comes to understand the seductive pleasure of story-making, but also its dangerous limitations.
Rummaging around in the Archives one afternoon, Kate Grenville comes across an innocuous-looking file full of letters about a schoolteacher in New South Wales. Intrigued, she keeps reading – and discovers a tale far more curious and complex than first appears. Was Joseph Connor savagely beating the students in his care? Or was he the victim of a small-town vendetta? And what went so terribly wrong between him and his daughter?
Ultimately, Grenville simply has to know: was Connor a victim or a villain? Part colonial cold case, part locked-room mystery, part the dance of a writer's imagination among facts and semi-facts, The Country Schoolmaster is a book like no other. In it, the novelist comes to understand the seductive pleasure of story-making, but also its dangerous limitations.