'Fresh and propulsive . . . a testament to the power of story and a veneration of those whose tales are often forgotten' New York Times
'Masterful . . . practically every page turns up a sentence or a phrase that could have been penned by Toni Morrison or James Baldwin' George Elliott Clarke, former Poet Laureate of Toronto
Freedom, you can't get and bury, and keep it and keep it so it won't ever go away.
No, child.
You got to swing your freedom like a club.
In 1859, deep in the forests of Canada, an elderly woman sits behind bars. She came to Dunmore via the Underground Railroad to escape enslavement, but an American bounty hunter tracked her down. Now she's in jail for killing him, and the fragile peace of Dunmore, a town settled by people fleeing the American south, hangs by a thread.
Lensinda Martin, a smart young reporter, wants to gather the woman's testimony before she can be condemned, but the old woman has no time for confessions. Instead she proposes a barter: a story for a story.
As the women swap stories - of family and first loves, of survival and freedom against all odds - Lensinda must face her past. And it seems the old woman may carry a secret that could shape Lensinda's destiny.
Travelling along the path of the Underground Railroad from the American South to British Canada, from the Indigenous nations around the Great Lakes, to the Black refugee communities of Canada, In the Upper Country is an unforgettable debut about the interwoven history of peoples in North America, slavery and resistance, and two women reckoning with the stories they've been given, and the ones they want to tell.
Genre: Historical
'Masterful . . . practically every page turns up a sentence or a phrase that could have been penned by Toni Morrison or James Baldwin' George Elliott Clarke, former Poet Laureate of Toronto
Freedom, you can't get and bury, and keep it and keep it so it won't ever go away.
No, child.
You got to swing your freedom like a club.
In 1859, deep in the forests of Canada, an elderly woman sits behind bars. She came to Dunmore via the Underground Railroad to escape enslavement, but an American bounty hunter tracked her down. Now she's in jail for killing him, and the fragile peace of Dunmore, a town settled by people fleeing the American south, hangs by a thread.
Lensinda Martin, a smart young reporter, wants to gather the woman's testimony before she can be condemned, but the old woman has no time for confessions. Instead she proposes a barter: a story for a story.
As the women swap stories - of family and first loves, of survival and freedom against all odds - Lensinda must face her past. And it seems the old woman may carry a secret that could shape Lensinda's destiny.
Travelling along the path of the Underground Railroad from the American South to British Canada, from the Indigenous nations around the Great Lakes, to the Black refugee communities of Canada, In the Upper Country is an unforgettable debut about the interwoven history of peoples in North America, slavery and resistance, and two women reckoning with the stories they've been given, and the ones they want to tell.
Genre: Historical
Praise for this book
"Kai Thomas's In the Upper Country is a sweeping epic that imagines all the ways our ancestors tried to get free. This is an exciting new voice in fiction, as interested in the complexities of land and belonging as in the vagaries of human love and connection." - Kaitlyn Greenidge
"Stories within stories; until I read them, I hadn't realised these are ones I'd long been wanting, needing even. In this remarkable debut, Kai Thomas fills out the picture of a place, a time, peoples and their relationships, all previously neglected in the day-to-day unfolding of the nations. His immensely compelling details, and a host of voices so well-wrought you can see and hear the speakers long after you've finished reading, will leave you eager to see what he'll do next." - Shani Mootoo
"Canadian history has long oppressed and neglected the Black and Indigenous stories at the foundation of the society that now exists here. . . . Now, in the spirit of storytelling that has helped these cultures survive despite the horrors of history, a tremendous novel has emerged to fill that void. In the Upper Country enlightens and empowers in a way few other literary sagas can, by humanizing people who have long been historical footnotes and bringing their stories to the centre. Kai Thomas is a visionary, an advocate, and overall a groundbreaking storytelling voice who has now contributed a classic to this country's canon. This novel will resonate for generations to come." - Waubgeshig Rice
"Stories within stories; until I read them, I hadn't realised these are ones I'd long been wanting, needing even. In this remarkable debut, Kai Thomas fills out the picture of a place, a time, peoples and their relationships, all previously neglected in the day-to-day unfolding of the nations. His immensely compelling details, and a host of voices so well-wrought you can see and hear the speakers long after you've finished reading, will leave you eager to see what he'll do next." - Shani Mootoo
"Canadian history has long oppressed and neglected the Black and Indigenous stories at the foundation of the society that now exists here. . . . Now, in the spirit of storytelling that has helped these cultures survive despite the horrors of history, a tremendous novel has emerged to fill that void. In the Upper Country enlightens and empowers in a way few other literary sagas can, by humanizing people who have long been historical footnotes and bringing their stories to the centre. Kai Thomas is a visionary, an advocate, and overall a groundbreaking storytelling voice who has now contributed a classic to this country's canon. This novel will resonate for generations to come." - Waubgeshig Rice
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