book cover of Japanese Gothic
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Japanese Gothic

(2026)
A novel by

 
 
USA TODAY Bestseller
New York Times Most Anticipated Book for 2026
USA TODAY Most Anticipated Books of 2026
Goodreads Readers' Most Anticipated Books of 2026

Book Riot "Our Most Anticipated Books of 2026"

From the critically acclaimed, USA TODAY bestselling, New York Times Top 100 (2025) author of Bat Eater and Other Names for Cora Zeng and Hell to Pay, a lyrical, wildly inventive horror novel interwoven with Japanese mythology, following two people living centuries apart who discover a door between their worlds.

October, 2026: Lee Turner doesn’t remember how or why he killed his college roommate. The details are blurred and bloody. All he knows is he has to flee New York and go to the one place that might offer refuge—his father’s new home in Japan, a house hidden by sword ferns and wild ginger. But something is terribly wrong with the house: no animals will come near it, the bedroom window isn't always a window, and a woman with a sword appears in the yard when night falls.

October, 1877: Sen is a young samurai in exile, hiding from the imperial soldiers in a house behind the sword ferns. A monster came home from war wearing her father’s face, but Sen would do anything to please him, even turn her sword on her own mother. She knows the soldiers will soon slaughter her whole family when she sees a terrible omen: a young foreign man who appears outside her window.

One of these people is a ghost, and one of these stories is a lie.

Something is hiding beneath the house of sword ferns, and Lee and Sen will soon wish they never unburied it.

For readers who love:
  • Grady Hendrix and Stephen King

    Japanese mythology

    Friendship and family themes

    Terrifying, gory stories

    Horror with heart

    A new take on the classic haunted house trope


    Genre: Horror

Praise for this book

"This book is a complete mindf*ck and I loved every minute of it." - Mia Ballard

"Japanese Gothic is a heady puzzle box of story - the ones we are told and the ones we tell ourselves to survive. Intricate, sensuous, and haunting, the strange truth at the center of two shared mysteries unfurls in fragile, mesmerizing layers. Utterly sublime." - Olivie Blake

"An utterly gorgeous tale of lost souls and bad fathers, Japanese Gothic is brilliant and haunting. Baker controls even her most ethereal threads with the confidence of an orchestra conductor, making every note ring true. I loved it!" - Christopher Golden

"Kylie Lee Baker has done it again with this tense and bloody follow-up to her incredible adult debut. Japanese Gothic is brilliantly inventive, sending a prickle down your spine as you struggle to distinguish between reality and delusion. A must-read - I couldn't turn the pages fast enough!" - Monika Kim

"A mesmerizing, beautifully crafted story that breathes new life into the haunted house genre. Ghosts dwell between every page." - Marcus Kliewer

"Japanese Gothic is many things: a haunting. A mystery. A ghost story. A fairy tale. A love story. Above all, it's a compelling and heartbreaking piece of art about how parental expectations can damage us, and how love can, if not quite heal us, at least set us free." - Johanna van Veen

"An eerie and unrelenting tale of two lives, two time periods, and one singular horror soaked in blood and sorrow." - Chuck Wendig

"An astounding tapestry of blood, time, history, and guilt: Japanese Gothic is bold and ambitious and executed with a master's touch. Pick this up." - Andrew Joseph White

"Japanese Gothic is a rare gem of a time-slip novel, in which an NYU student hiding a terrible secret from his father crosses paths with an 1870s female samurai - raised by her own father's inflexible code - in a deliciously appealing and ancient house. Kylie Lee Baker effortlessly takes in Japanese mythology, puts her own spin on history, and weaves it all together into an incredibly tense, bloody finale. Following on from the enormous success of Bat Eater, this is, once again, an absolutely marvellous and inventive book." - Ally Wilkes


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