book cover of Indelicacy
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Indelicacy

(2020)
A novel by

 
 
"Indelicacy isn't merely a book, it's a world; a world I wanted to live in, forever . . . Arch, yet warm; aspiring and impervious; confiding and enigmatic; reposing and intrepid; Cain has conjured a protagonist who purged my mind and filled my heart." Claire-Louise Bennett, author of Pond

A haunted feminist fable, Amina Cain’s Indelicacy is the story of a woman navigating between gender and class roles to empower herself and fulfill her dreams.

In "a strangely ageless world somewhere between Emily Dickinson and David Lynch" (Blake Butler), a cleaning woman at a museum of art nurtures aspirations to do more than simply dust the paintings around her. She dreams of having the liberty to explore them in writing, and so must find a way to win herself the time and security to use her mind. She escapes her lot by marrying a rich man, but having gained a husband, a house, high society, and a maid, she finds that her new life of privilege is no less constrained. Not only has she taken up different forms of time-consuming labor—social and erotic—but she is now, however passively, forcing other women to clean up after her. Perhaps another and more drastic solution is necessary?

Reminiscent of a lost Victorian classic in miniature, yet taking equal inspiration from such modern authors as Jean Rhys, Octavia Butler, Clarice Lispector, and Jean Genet, Amina Cain's Indelicacy is at once a ghost story without a ghost, a fable without a moral, and a down-to-earth investigation of the barriers faced by women in both life and literature. It is a novel about seeing, class, desire, anxiety, pleasure, friendship, and the battle to find one’s true calling.


Genre: Literary Fiction

Praise for this book

"Amina Cain is a phenomenal writer. I adore her work, and sensibility… Arch, yet warm; aspiring and impervious; confiding and enigmatic; reposing and intrepid; Cain has conjured a protagonist who purged my mind and filled my heart." - Claire-Louise Bennett

"Acutely observed, Indelicacy is an exquisite jewel box of a novel with the passion and vitality found only in such rare and necessary works as The Hour of the Star and The Days of Abandonment. Through this timeless examination of solitude, art, and friendship, Amina Cain announces herself as one of the most intriguing writers of our time." - Patty Yumi Cottrell

"In Indelicacy we meet a woman who spends time studying landscape paintings and then walking inside the landscapes where she lives. She looks at a landscape then moves inside another, and as we read it begins to seem that the landscapes in paintings and in fiction are eerily the same. In a deeply pleasing way, reading this novel is a bit like standing in a painting, a masterful study of light and dark, inside and out, freedom and desire. Amina Cain is one of my favorite writers. I loved reading this book." - Danielle Dutton

"I read it slowly, in a kind of reverie, wanting to savour every page… A completely absorbing, luminous account of a woman inhabiting her life and creativity." - Megan Hunter

"Amina Cain's diligence, patience, and clarity of vision are unparalleled. This is a writer profoundly aware of the impact and import of silence. Her sentences echo long after they’ve landed on the page. Keep your eyes peeled for Indelicacy." - Azareen Van Der Vliet Oloomi

"I was spellbound by Amina Cain’s Indelicacy, partly because it is a lucid novel about human relationships, the soul, art, and change; partly because it is an intelligent yet raw tale about what ruptures are required to grow room for oneself; partly because of its witty juxtaposition of good and bad; but mostly because it is deeply original, like nothing I've ever read before." - Gunnhild Øyehaug

"Indelicacy is a novel like the tolling of a great bell. It will move your heart. Amina Cain's writing is the rarest kind: it creates not only new scenes and characters, but new feelings." - Sofia Samatar

"Amina Cain redefines strangeness and freedom in this beautiful and unusual novel that resembles fairy tales and ghost stories but feels intensely contemporary." - Alejandro Zambra


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