book cover of Skull Water
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Skull Water

(2023)
A novel by

 
 
A "magnificent" (Ha Jin) and “magical” (Marie Myung-Ok Lee) fever dream of a novel that interweaves the coming-of-age of a 1970s Korean-American boy grappling with his identity and the impact of intergenerational trauma  

“A fascinating story of a young mixed-race man caught between two cultures, not knowing what to keep and what to leave behind.”—James McBride, author of The Color of Water 

Growing up outside a US military base in South Korea in the aftermath of the Vietnam War, Insu—the son of a Korean mother and a German father enlisted in the US Army—spends his days with his “half and half” friends skipping school, selling scavenged Western goods on the black market, watching Hollywood movies, and testing the boundaries between childhood and adulthood. When he hears a legend that water collected in a human skull will cure any sickness, he vows to dig up a skull in order to heal his ailing Big Uncle, a geomancer who has been exiled by the family to a mountain cave to die.  

Insu’s quest takes him and his friends on a sprawling, wild journey into some of South Korea’s darkest corners, opening them up to a fantastical world beyond their grasp. Meanwhile, Big Uncle has embraced his solitude and fate, trusting in otherworldly forces Insu cannot access. As he recalls his wartime experiences of betrayal and lost love, Big Uncle attempts to teach his nephew that life is not limited to what we can see—or think we know. 

Largely autobiographical and sparkling with magical realism, Skull Water is the story of a boy coming into his own—and the ways the past haunts the present in a country on the cusp of modernity struggling to confront its troubled history. As Insu seeks the wisdom of his ancestors, what he learns, he hopes, will save not just his uncle but himself. 



Genre: Literary Fiction

Praise for this book

"Skull Water is an amazingly rich mixture, and one it's difficult to classify. If, for instance, I were to think of it as a sort of autofiction, I could compare it to A Childhood - if the boy Harry Crews had needed to operate in both English and Korean and engage in all sorts of complex cultural codeswitching. But the book is also an elegantly structured, multi-stranded work of the imagination, enhanced by some little-known historical elements, and drawing on a deep well of Korean folklore - and extremely rewarding in all of its many dimensions." - Madison Smartt Bell

"The novel in your hands is something I never knew I'd see, born from things at least two governments hoped to hide. A mixed German Korean boy in 1970s Korea undertakes a quest to save the living with what the dead might know, and he tells us stories across time of this almost- vanished world, and the lives of those thrown away by Korean society and American military forces - his family. Precious, life altering, rebellious, funny, and full of a necessary truth." - Alexander Chee

"A magnificent novel with a grand vision and assured execution." - Ha Jin

"A magical, brutal novel that shines light into a little-known world of a modernizing Korea of 1970s with its vestiges of American occupation, along with the mysteries of ancestors and the hungry ghosts of worlds we cannot see." - Marie Myung-Ok Lee

"This is a mesmerizing take on what happens when civil war walks into a nation, leaving scarred humanity in its wake. A fascinating story of a young mixed-race man caught between two cultures, not knowing what to keep and what to leave behind. This touching book, written with grace, does more than deliver a fresh perspective on a forgotten war. It's proof that the old, peaceful ways defeat the brutality of the new every time, with a blend of spirit, memory, and folklore, some of which is delivered by the magical spirits that walked, and still walk, this earth. We are all the same. We all walk the middle path to get home. I'm so glad that Heinz Insu Fenkl shows us how to get there." - James McBride


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