Bram Stoker Best Novel (nominee)
Daniel is trapped in Ubo. He has no idea how long he has been imprisoned there by the roaches.
Every resident has a similar memory of the journey: a dream of dry, chitinous wings crossing the moon, the gigantic insects dropping swiftly over the houses; the creatures, like a deck of baroquely ornamented cards, fanning themselves from one hidden world into the next.
And now each day they force Daniel to play a different figure from humanity’s violent history, from a frenzied Jack the Ripper to a stumbling and confused Stalin, to a self-proclaimed god executing survivors atop the ruins of the world. As skies burn and prisoners go mad, identities dissolve as the experiments evolve, and no one can foretell their mysterious end.
‘Reminds you of what fiction is capable of being, of doing, of making, for the reader and the author.’
– Neil Gaiman on The Man on the Ceiling
‘A rather beautiful and darkly enchanting novel.’
– Starburst on Deadfall Hotel
Genre: Horror
Every resident has a similar memory of the journey: a dream of dry, chitinous wings crossing the moon, the gigantic insects dropping swiftly over the houses; the creatures, like a deck of baroquely ornamented cards, fanning themselves from one hidden world into the next.
And now each day they force Daniel to play a different figure from humanity’s violent history, from a frenzied Jack the Ripper to a stumbling and confused Stalin, to a self-proclaimed god executing survivors atop the ruins of the world. As skies burn and prisoners go mad, identities dissolve as the experiments evolve, and no one can foretell their mysterious end.
‘Reminds you of what fiction is capable of being, of doing, of making, for the reader and the author.’
– Neil Gaiman on The Man on the Ceiling
‘A rather beautiful and darkly enchanting novel.’
– Starburst on Deadfall Hotel
Genre: Horror
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Used availability for Steve Rasnic Tem's Ubo