Rivka Galchen recommends
The Night Ocean (2017)
Paul La Farge
"It has been years since I read a novel with so much joy, impatience and awe."
One of the Boys (2017)
"Daniel Magariel's absolutely brilliant and beautiful novel is that rarest thing: an incredibly mature book about kids. Not since I read Marilynne Robinson's Housekeeping have I felt so at once in the presence of the magic-logic terrors of childhood and the too real and consequential realms of adults."
"Heartbreaker makes high and hilarious art from the emotional Pop Rocks and glittery junk of a certain way of being young. And vulnerable. Also, it has one of the most awesome dogs in literature. . . . A thrillingly original, wholly spellbinding, and luminous novel."
The Falconer (2019)
"Told with a poet's ear and a basketball player's eye and reflexes, The Falconer is an extraordinary book. Czapnik is refreshingly honest and open-eyed about the way money, gender and the demands of the body steer the overwhelming longings and frustrations of being a young woman growing up in the city. Every detail feels true and important, every small observation tells a larger story. A wonderful new talent."
My Heart (2021)
"Readers will discover that Mehmedinovoic's powerfully affecting and honest tale of the dizzy perimeter of mortality is also the oldest and best kind of story: one of love."
The Scapegoat (2021)
"Sara Davis's The Scapegoat is ingenious, suspenseful, wise, sad, sometimes very frightening, and often very funny, too. The novel gets at the terrifyingly convincing lies (or stories) that we tell ourselves, inevitably about that which we most need to know. The Scapegoat made me fall in love again with the form of the novel!"
Monkey Boy (2021)
"Francisco Goldman, one of our most brilliant political writers, is also, miraculously, a Chekhov of the heart. This novel is wild, funny, and wrenching, as well as a profound act of retrieval and transformation."
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