Matthew Thomas was born in the Bronx and grew up in Queens. A graduate of the University of Chicago, he has an MA from the Writing Seminars at Johns Hopkins University and an MFA from the University of California, Irvine, where he received the Graduate Essay Award. He lives with his wife and twin children in New Jersey.
Workhorse (2025) Caroline Palmer "Thrilling, page-turning, and deeply absorbing and anthropological treatise on a lost New York at just slightly past the peak of American capitalism - fin de siecle indulgence shackled to an anxious expense account."
A Thousand Natural Shocks (2025) Omar Hussain "Hussain boxes with heavyweights here, going round for round. He has so many ways to get you: the crackling, staccato prose rhythm of Palahniuk's Fight Club, as well as that book's frazzled, immersive psychic energy; a ferociously ticking clock careening toward a cataclysmic plot resolution in the manner of Amis's London Fields; and a captivating mixture of philosophical ambivalence, indignation, and heartbreak around questions of identity that calls Hamid's The Reluctant Fundamentalist to mind. After tangling with the greats, Hussain comes up standing. This is a major debut by a formidable talent."
The Bright Years (2025) Sarah Damoff "To attempt to tell a convincing love story at this late stage in the history of the novel is to set the bar ambitiously high, and yet Sarah Damoff somehow pulls it off twice in a single book, penning two thoroughly persuasive, interrelated relationship histories, each with appealing texture and depth, one believable because of the pain it captures, the other a balm in the hope it implies. THE BRIGHT YEARS builds symphonically, polyphonically, reaching emotional crescendos and gliding into perfectly calibrated decrescendos that mimic the rhythms of real life. In its nuanced understanding of the psyche and its unsparing realism about human limitations even in the face of our desperate attempts to overcome them, this book, when it opens its sails to gale-force winds of feeling, leads one to shed one's sophistication and openly root for love, to cheer for it, even shed a tear for it, as Damoff sticks the landing and at long last it comes."
What We Sacrifice for Magic (2024) Andrea Jo Dewerd "What We Sacrifice for Magic beautifully captures the tension between the legacies we inherit and the courses we chart for ourselves . . . DeWerd's plot summons our attention, and enchantment thrums in every direction."
The Second Coming (2024) Garth Risk Hallberg "A portrait of a daughter in crisis and a father in need of redemption, Garth Risk Hallberg's The Second Coming is a powerful statement about the clarifying sense of purpose to be found in parental love, and how we demand more of ourselves for the sake of our children. Hallberg's Ethan is a fascinating study in whether a certain kind of arrested American male, consumed early on by purposelessness and addiction, can in fact have a second act, even if his first is still, somehow, belatedly, being written, and not entirely by him."
Excavations (2023) Kate Myers "This is the gripping story of a band of women trying to break the stranglehold men have not just on the discipline of archaeology but on the entire story of our collective past. In Excavations, L.A. Confidential meets The Secret History, only with the comic ending the reader is desperate for by book's end. Enthralling, pulse-quickening, enraging, and ultimately cathartically fulfilling, Excavations takes the reader on an unforgettable journey."
The Revivalists (2022) Christopher M Hood "It's hard to imagine a story more necessary now than one about humanity somehow persisting in the face of civilization's collapse. In The Revivalists, Christopher M. Hood makes an utterly convincing argument for love's power to lend meaning and purpose to existence. Hood is a master dramatist; tense, anxious scenes resonate loudly after their tuning forks are struck. We swing from terror, to humor, to trenchant political commentary, to the strange resilience of psychotherapy to the limitless capacity for the Wu Tang Clan to delight and edify across generations."
Fellowship Point (2022) Alice Elliott Dark "This is a virtuosic performance, indisputably a work of genius, but even fervent adjectives can't capture the almost numinous effect of reading these pages. In Fellowship Point, one feels oneself in the rare presence of the truly sublime. Every exactingly described gesture, every bit of inspired characterization, every gorgeous sentence is run through an obsessive mind grappling indefatigably with the weightiest materials: the powerful gravity of enduring relationships and the psychic costs of managing them; the sometimes-crushing conflict between duty to self and responsibility to others; and the desperate urge to conserve a small corner of a stressed-out planet and defend a worthy way of life from extinction. The equal manner in which the past and present, like overlaid supersaturated transparencies, come so vividly to bloom in one book recalls the bottomless ambitions of the timeless greats - which is fitting, as Alice Elliott Dark is one of the best writers working in English today."
The Shore (2022) Katie Runde "A stunning anatomy of the varieties of sorrow and consolation, with a brilliant understanding of the ways different generations find unexpected common ground. Like Olive Kitteridge before it, The Shore takes a place bursting with colorful characters and its own idiosyncratic anthropology and makes it intimately familiar. Runde perfectly captures the fraught expressions of feeling between parents and children on the raucous eve of their independence, and she nails the way everyday longings, fears and joys don't always scurry from life's stage when the monster of grief descends from the rafters. The reader, under the spell of Runde's superb storytelling, never wants to leave this family behind."
The Standardization of Demoralization Procedures (2020) Jennifer Hofmann "Gorgeous, dark, and haunted... a masterpiece of restraint, insight, and style... There is an extraordinary clarity of perception in these pages and one is astonished time and again at Jennifer Hofmann's prodigious gifts... It is a singular feat for a book about subject matter this chilling to make the reader feel so deeply; and yet that is part of the work of timeless literature, which is what this incandescent novel surely will come to be regarded as."
Kings County (2020) David Goodwillie "Goodwillie has the anthropology of New York down. In Kings County, young professionals struggle to find their moral compass as they test the limits of their relationships under the glare of city lights, and suffer the dramatic effects of their past and present decisions. He weaves suspense around a dark, page-turning mystery that stays palpable to the end, and his confident—and often comedic—narrative hand allows him to seamlessly fold in contemporary events and generate a necessary social document for this new age of unenlightenment."
The Vanishing Sky (2020) L Annette Binder "The challenge in humanizing the Western world's most tortured history proves no match for Binder's intellect, compassion, and unflinching gaze; one gets the feeling this writer, in the stunning precision of her painterly details, would prove virtuosic with any material she was handed to use. A hugely ambitious novel whose consummate, patient artistry is moving beyond measure."
Braised Pork (2020) An Yu "This exquisite novel is many things: a detective story in which the real object of pursuit is how one makes meaning of a sometimes ineffable existence; a meditation on the talismanic power of art and the indefatigability of the human spirit; and a many-faceted, perfectly cut gem of psychological portraiture set in well-wrought sentences burnished to a gorgeous luster. The emotions in this book keep pace with you, shadowing you with a quiet intensity, until in the last stretch they overtake you completely."
The Dearly Beloved (2019) Cara Wall "This wonderful book has all the things that are hardest to find in literature: good marriages sustained by abiding love; nourishing friendships that endure trials; nuanced explorations of religious faith; and characters who strive to do good for others while battling their own demons. What it has, in short, is that hardest-won of qualities in a novel: genuine goodness. None of the extraordinary humanity in this book feels unearned; it's as if Wall has stared into the abyss of real life and come out with energy, hope, and a story suffused in light. We say of books that they are unputdownable; this is a book that you have to put down for a spell in order to take in all the generosity it offers; a book in which it is impossible not to wonder what comes next in these four intertwined and gorgeously observed lives."
The Last Book Party (2019) Karen Dukess "The Last Book Party captures a world tantalizingly close to the surface of memory, in which things now lost to time mattered a great deal, and the Internet era was slouching toward us to be born. This Orphic book goes down to retrieve a beloved New York, and the pleasant ache at its heart is that it can’t bring it back forever. Charming, lovely, and written with a light touch, this book captures the longing and unease of summer romance amid the complexity of post-graduate life. Shades of Goodbye, Columbus, The Mysteries of Pittsburgh, and Bright Lights, Big City haunt its pages."
Oliver Loving (2018) Stefan Merrill Block "In lucid prose and with a tremendously sure narrative hand, Block weaves together a coming of age story and a lament of lost youth. This is the story of the devastation inflicted on those left behind by catastrophic illness, and the strength they find to live in the wake of it. The novel becomes a thriller of sorts, with secrets upon secrets, conflicting agendas, and the truth quivering in every conversation. Anessential window into the consciousness of someone on the other side of an impenetrable veil, Oliver Loving brilliantly illuminates the enduring bonds of family and offers one of literature's best explorations of the limits of communication we all grapple with."
Modern Gods (2017) Nick Laird "Modern Gods is at once remorselessly clear-eyed about human frailty in the aggregate and full of loving kindness for human beings as individuals. The taut prose reveals a poet’s hand, and the dialogue a playwright’s ear; Laird can nail an entire character in one acutely perceptive description, and he channels Amis in richly-suggestive transitions that crystallize the truths of well-wrought scenes. Ferociously intelligent, radically contemporary, deeply affecting, stunning."
Gypsy Moth Summer (2017) Julia Fierro "The Gypsy Moth Summer gathers all of life in its wonderfully confident reach: the buzzing energy of youth, the fraught hope of adulthood, the remorseless clarity of old age. Fierro's thoroughly entertaining storytelling doesn't prevent her from taking on weighty subjects like race and class in America or delivering a rebuke of the lives of privilege that she chronicles with such anthropological accuracy. We are deeply invested in these characters around whom an air of tragic destiny hangs, and the pages fly by as the book hurtles toward its devastating conclusion."
The Barrowfields (2017) Phillip Lewis "THE BARROWFIELDS knows that the worst hauntings happen not in old houses but in troubled minds. The psychological landscape is craggy in this vivid update on Southern Gothic steeped in gorgeous vernacular and full of characters ready to walk off the page. Lewis goes down to the depths and back up in this powerfully hopeful book, and the reader is helpless in his hands."
A Teaspoon of Earth and Sea (2013) Dina Nayeri "Beautifully elegiac, Refuge brings into focus the entire experience of emigration Nayeri is brilliant on parental imperfections and the negotiations children make with their families, and she offers a remarkably textured portrayal of drug addiction and of everyday Iran that defies news-media stereotypes."
