Elizabeth J. Church was born in Los Alamos, New Mexico. Her father, a research chemist, was drafted out of Carnegie Mellon University, where he was pursuing his graduate studies, and was sent to join other scientists working in secret on the Manhattan Project. Churchs mother, a biologist, eventually joined her husband in Los Alamos. While The Atomic Weight of Love is not their story, it is the story of many of the women who sacrificed their careers so that their husbands could pursue unique opportunities in scientific research. Along with other Los Alamos children, Church grew up in an environment that gave her ready access both to nature and to female teachers who had advanced degrees in mathematics, chemistry, physics, biology, and other disciplines. Church practiced law for over thirty years, focusing on mental health and constitutional law issues. After circumstances taught her the brevity of life, she walked away from the law to pursue her original dream of writing. She has written extensively for legal publications and scientific journals. Her short story "Skin Deep" won first prize in Literal Lattés 2001 fiction contest, and "Lying with Dogs" was published in Natural Bridge in 2002. This is her first novel.
Elizabeth J Church recommends
The Girls in the Picture (2018)
"Melanie Benjamin has an uncanny knack for finding riveting historical characters and bringing them to life in wonderfully rendered settings. Her many fans should get ready for the pleasure of yet another of these Benjamin miracles in The Girls in the Picture, where they'll venture into early Hollywood, the magic of 'flickers, ' and women's struggles to find--and hold on to--power within that celluloid world."
The Liar's Child (2019)
"Buckley’s characters are believably flawed; her creation of atmosphere and setting is perfection. I adored this beautifully written book, and I double-dog dare you to not find yourself wanting to read it from start to finish without a break."
Paris Never Leaves You (2020)
"This is an exquisite novel one that gives us what we’re hungry for: an intelligent, complex female character who challenges our ideas of right and wrong, morality and immorality. We’re reminded, too, of the dangers of drawing easy, swift conclusions. Feldman achieves all of this with wholly admirable precision and wit; she takes aim and does not miss."
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