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(b.Simon Lelic was born in Brighton in and, after a decade or so living in London and trying to convince himself that the tube was fine, really, because it gave him a chance to read, Simon and his wife moved back to Brighton with their three young children. As well as writing, he runs an import/export business. His hobbies (when he has time for them) include reading, golf, tennis, snowboarding and karate. His weekends belong to his family (or so his wife tells him), as does his heart.
Genres: Children's Fiction, Mystery
Novels
Rupture (2010)
aka A Thousand Cuts
The Facility (2011)
The Child Who (2012)
The House (2017)
aka The New Neighbors
The Liar's Room (2018)
The Search Party (2020)
The Hiding Place (2022)
aka A Thousand Cuts
The Facility (2011)
The Child Who (2012)
The House (2017)
aka The New Neighbors
The Liar's Room (2018)
The Search Party (2020)
The Hiding Place (2022)
Simon Lelic recommends
The Fever (2014)
Megan Abbott
"Few writers evoke the politics and paranoias of young adulthood as masterfully as Megan Abbott. She tells her tale with deftness and precision, and it grips from beginning to end. A fabulous achievement."
The Catch (2020)
T M Logan
"Taut, tense and compelling. T.M. Logan's talent is in creating characters with whom the reader instantly relates, and then thrusting them into situations that reflect our deepest fears. Thriller writing at its finest."
What Lies Between Us (2020)
John Marrs
"It’s a pitch-perfect psychological thriller, with a captivating power play at its heart. I don’t recall reading a novel that so expertly toyed with my sympathies. Great stuff!"
Imperfect Women (2020)
Araminta Hall
"Beautifully written and expertly structured - a masterclass in psychological thriller writing."
The Devil and the Dark Water (2020)
Stuart Turton
"Stunningly good. A page-turning mystery on an epic scale, intricately plotted and expertly landed."
The Long, Long Afternoon (2021)
Inga Vesper
"Beautifully written and brilliantly observed, as well as being a page-turning mystery. The 1950s come alive with issues that resonate today."
The Art of Death (2021)
David Fennell
"I flew through it . . . Tense, gripping and brilliantly inventive."
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