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Elizabeth Macneal
Born in Scotland, Elizabeth Macneal is a potter based in Limehouse, East London, working from a small studio at the bottom of her garden. She read English Literature at Oxford University, before working in the City for several years. In 2017, she completed the Creative Writing MA at UEA where she was awarded the Malcolm Bradbury scholarship.
Her debut novel The Doll Factory won the Caledonia First Novel Award and will be published simultaneously in Spring 2019 in the UK by Picador, who won a 14-way auction for the title, and Simon & Schuster / Emily Bestler Books who snapped up US rights in a significant deal.
Genres: Historical, Mystery
Novels
Collections
The Haunting Season (2021) (with Bridget Collins, Sara Collins, Imogen Hermes Gowar, Kiran Millwood Hargrave, Andrew Michael Hurley, Jess Kidd, Natasha Pulley and Laura Purcell)
Elizabeth Macneal recommends
The Mercies (2020)
Kiran Millwood Hargrave
"The Mercies is storytelling at its most masterful. This is an exquisite tale of sisterhood, of love, of courage and of what happens when communities turn on each other . . . I raged, I laughed, I cried. I urge you to read this novel."
The Cat and The City (2020)
Nick Bradley
"An inventive, clever and beguiling read. With Tokyo as the backdrop, this is a beautifully written novel about belonging and loneliness, about escape and destruction, where the enmeshed narratives (and a magical cat) bind the city together."
The Push (2021)
Ashley Audrain
"I was totally hooked. Compelling, addictive, chilling. Smashing read."
Victoria Park (2021)
Gemma Reeves
"I absolutely loved Victoria Park. It's a stunning portrayal of a London community, where moments of heartbreak, sympathy and joy cast deep reverberations. A triumph of compassion and redemption, the lives of the characters are so finely observed, they might be our own. It reminded me of Elizabeth Strout and Jennifer Egan, and I know I'll be thinking about Wolfie and Mona for months to come."
My Phantoms (2021)
Gwendoline Riley
"Devastated by this novel. Gwendoline Riley can draw character like nobody else. The weight each pristine, witty sentence carries! This is life, its aches, its silences, its love, what is carried and left unsaid. Her prose is so sharp you could cut yourself on it."
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