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Hannah Kent


Australia (b.1985)

Hannah Kent was born in Adelaide in 1985. As a teenager she travelled to Iceland on a Rotary Exchange, where she first heard the story of Agnes Magnúsdóttir.

Hannah is the co-founder and deputy editor of Australian literary journal Kill Your Darlings, and is completing her PhD at Flinders University. In 2011 she won the inaugural Writing Australia Unpublished Manuscript Award.

Burial Rites is her first novel.

Genres: Historical
 
Novels
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Awards
Baileys Women's Prize for Fiction Best Book nominee (2014) : Burial Rites
Barry Awards Best First Book nominee (2014) : Burial Rites
International IMPAC Dublin Literary Awards Best Book nominee (2015) : Burial Rites
Walter Scott Prize Best Historical Novel nominee (2017) : The Good People


Hannah Kent recommends
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The Miniaturist (2014)
Jessie Burton
"Utterly transporting, The Miniaturist is one of those rare debut novels that excels in every regard. The past is brought to life in potent, sensory detail: one feels steeped in it. Burton's prose beguiles the reader, while a riptide of a plot takes hold with an unrelenting grip of suspense. My first instinct on finishing this book was to immediately read it again."
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The Butcher's Hook (2016)
Janet Ellis
"Utterly mesmeric."
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Dark Fires Shall Burn (2016)
Anna Westbrook
"I could not put this book down...enthralling, and crackles with tension."
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The Restorer (2017)
Michael Sala
"I would defy anyone to read this story and remain unmoved."
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The Toymaker (2017)
Liam Pieper
"Hugely memorable. The Toymaker is an unflinching examination of the dark instinct for survival that lies in all of us."
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The End We Start From (2017)
Megan Hunter
"Extraordinary. Megan Hunter's prose is exquisite, her depiction of a world descending into chaos is frighteningly real, and yet, it is her portrayal of motherhood - that tender-terrifying experience of bringing a child into a world - that has remained with me. The End We Start From is an incredible, original exploration of all that beauty, boredom and bewilderment. I read it in one sitting, and was deeply moved."
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The Museum of Modern Love (2018)
Heather Rose
"A glorious novel, meditative and special in a way that defies easy articulation."
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Long Bay (2018)
Eleanor Limprecht
"A moving and vividly realised novel. Limprecht is a fine writer."
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The Doll Factory (2019)
Elizabeth Macneal
"This brilliant literary thriller gripped me from the opening page and didn’t relinquish its hold until I’d read the final sentence. The Doll Factory conjures 1850s London in all its grime and glory, possibility and restriction in absorbing, immersive detail. Elizabeth Macneal has created that rare thing: a beautifully researched historical novel with a plot to stop your heart. If this is her first book, I can barely wait to see what she writes next."
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The Bass Rock (2020)
Evie Wyld
"A dark, gristly marvel of a novel. The Bass Rock held me in thrall from cover to cover. Evie Wyld is a gothic genius: her narrative of the violence inflicted on women throughout the centuries and the seething, female anger left in its wake left me with a deep sense of disquiet that will doubtless remain for years to come."

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