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Jan Carson



Jan Carson is a writer and community arts facilitator based in Belfast. Her first novel, Malcolm Orange Disappears, was published in 2014 to critical acclaim, followed by a short story collection, Children’s Children (2016), and a flash fiction anthology, Postcard Stories (2017). Her work has appeared in numerous journals and on BBC Radio 3 and 4. In 2016 she won the Harper’s Bazaar short story competition and was shortlisted for the Seán Ó Faoláin Short Story Prize. She specializes in running arts projects and events with older people, especially those living with dementia. The Fire Starters is her second novel.

Genres: Literary Fiction
 
Jan Carson recommends
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The Butchers (2020)
Ruth Gilligan
"A remarkable novel. Gilligan paints a disturbing portrait of rural Ireland which is both modern and ancient, firmly grounded in the realistic and hauntingly otherworldly."
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We Are Not in The World (2020)
Conor O'Callaghan
"A sad and stunning meditation on love, grief and long haul driving. This is a novel about distance and closeness which explores those bonds which exist between people long after they leave each other behind. O'Callaghan's prose is shot through with poetry. He has an uncanny ability to turn the seemingly insignificant into something monumental."
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The Wild Laughter (2020)
Caoilinn Hughes
"The Wild Laughter is a stunning piece of writing. Hughes' sentences are so well-crafted I read many of them several times and discovered fresh layers with each read. Her dialogue is razor sharp and shot through with Beckett-esque black humour. The characters are perfectly drawn. A strong and early contender for Irish novel of the year."
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Here is the Beehive (2020)
Sarah Crossan
"A beautifully crafted sucker punch of a read. Sarah Crossan has always had an exquisite way with words and in this she uses poetic prose to craft an honest and oftentimes gritty exploration of two intertwined marriages, slowly unravelling. Painfully believable, passionate and occasionally heartbreaking, Here is the Beehive provides further proof that Sarah Crossan is an infinitely gifted writer. We're lucky to have her."
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Hot Stew (2021)
Fiona Mozley
"Hot Stew reads like a great night out in a city that never sleeps."

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