Paul Levinson is Editor of the Journal of Social and Evolutionary Systems. He has spoken on NPR, CSPAN, the BBC, CBC, and more than 50 radio and television shows. He is President and founder of Connected Education -- offering courses on the Internet since 1985 -- and is Visiting Professor at Fordham University. He is also President of the Science Fiction and Fantasy Writers of America.
Series
Jeff Harris / Loose Ends
2. Little Differences (2015)
3. Late Lessons (2015)
4. Last Calls (2015)
Loose Ends (1997)
2. Little Differences (2015)
3. Late Lessons (2015)
4. Last Calls (2015)
Loose Ends (1997)
Novels
Collections
Novellas
The Chronology Protection Case (1995)
The Kid in the Video Store (2015)
McLuhan in an Age of Social Media (2015)
Ian's Ions and Eons (2016)
Fake News in Real Context (2016)
Marilyn and Monet (2017)
The Kid in the Video Store (2015)
McLuhan in an Age of Social Media (2015)
Ian's Ions and Eons (2016)
Fake News in Real Context (2016)
Marilyn and Monet (2017)
Anthologies edited
Non fiction
Mind at Large (1988)
The Soft Edge (1997)
Digital McLuhan (1999)
Realspace (2003)
Cellphone (2004)
New New Media (2009)
The Soft Edge (1997)
Digital McLuhan (1999)
Realspace (2003)
Cellphone (2004)
New New Media (2009)
Anthologies containing stories by Paul Levinson
Xanadu 3 (1995)
Supernatural Sleuths (1996)
Nebula Awards 32 (1998)
Year's Best SF 3 (1998)
Star Colonies (2000)
Guardsmen of Tomorrow (2000)
Supernatural Sleuths (1996)
Nebula Awards 32 (1998)
Year's Best SF 3 (1998)
Star Colonies (2000)
Guardsmen of Tomorrow (2000)
Short stories
| The Harmony (1995) | |||
| The Copyright Notice Case (1997) | Nebula Awards (nominee) | ||
| The Mendelian Lamp Case (1997) | |||
| Smart Weapon (2000) |
Awards
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Paul Levinson recommends
Red Moon (2000)
Daniel Brenton and David S Michaels
"This is not just among the best first novels I've read in years, it's among the best novels period. Red Moon is a masterpiece."
The Risen Empire (2003)
(Succession, book 1)
Scott Westerfeld
"Far-future, military science fiction--with a deft hand, a conscience, a wry look back at us, and poetic flair. I know this may seem like a stretch, but think Wells."
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