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Elizabeth Little


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Elizabeth Little was born and raised in St. Louis and graduated from Harvard University. Her work has appeared in the New York Times and the Wall Street Journal, among other publications, and she has appeared on All Things Considered, The World, and Here and Now.
 


Genres: Mystery
 
New and upcoming books
Novels
   Dear Daughter (2014)
   Pretty as a Picture (2020)
   Good Girls Die Bored (2026)
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Award nominations
2015 Macavity Award for Best First Novel (nominee) : Dear Daughter
2015 ILP John Creasey First Novel (longlist) : Dear Daughter
2015 Barry Award for Best First Novel (nominee) : Dear Daughter


Elizabeth Little recommends
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History Lessons (2025)
Zoe B Wallbrook
"Fresh, fierce, and funny as hell, History Lessons is a pitch-perfect blend of campus mystery and nail-biting suspense. In this confidently crafted debut, Zoe B. Wallbrook has given us an unforgettable amateur sleuth: Professor Daphne Ouverture, whose investigation into a colleague's murder at her elite university crackles with wit and intelligence. A brilliant start to what promises to be an absolutely outstanding series."
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Hard Girls (2024)
(Jane and Lila Pool, book 1)
J Robert Lennon
"J. Robert Lennon's Hard Girls is a mother-daughter thriller unlike any I've ever read. It's a simple-enough premise - two sisters set off to track down their long-lost mother - but the narrative twists and turns are as distinctive and surprising as the relationships that propel them. Each and every character is exquisitely rendered here, and sisters Jane and Lila Pool are nothing less than utterly captivating: they are at once brilliant and vulnerable, tender and vicious. I fell head over heels in love with them both - and I know readers will too."
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Almost Surely Dead (2024)
Amina Akhtar
"What's a girl to do when the universe seems to want you dead? The answer is nothing you'd expect-but everything you'd want from one of the most exciting thriller writers in the business. Almost Surely Dead is a sparkling, twisted gem of a book, a riotously funny and deeply unsettling examination of the ways in which we are-and in which we refuse to be-defined by our pasts. This is Akhtar's best work yet, and I loved every word."

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