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Bentley Little


USA flag (1960 - )

aka Phillip Emmons

Bentley Little was born in Arizona. He received a BA in Communications and an MA in English and Comparative Literature from California State University. He currently lives in Fullerton, California with his wife and son. He also writes under the pseudonym 'Phillip Emmons'.
 
Novels
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Collections
 
Novellas
 
Anthologies edited
The Best of Horror Library: Volumes 1-5 (2015) (with R. J. Cavender, Charles Colyott, Lorne Dixon and Tracie McBride)
 
Anthologies containing stories by Bentley Little
 
Short stories
Witch Woman (1985)
The Potato (1991)
The Man in the Passenger Seat (1993)
Monteith (1993)
From the Mouths of Babes (1994)
The Numbers Game (1994)
The Pond (1994)
See Marilyn Monroe's Panties! (1995)
Life With Father (1998)
Connie (1999)
The Theatre (1999)


Awards
Bram Stoker Best First Novel winner (1991) : The Revelation
Bram Stoker Best Collection nominee (2003) : The Collection
Bram Stoker Best Novel nominee (2012) : The Haunted


Bentley Little recommends

AfterAge (1993)
Yvonne Navarro
"AfterAge is one hell of a good novel."
Fireworks
Fireworks (2001)
James A Moore
"Here is a talent. Here is someone to watch."

The Beast That Was Max (2001)
Gerard Daniel Houarner
"Real writing skill is a rarity; but it's abundantly evident in Houarner's impressive output. "

The Red Church (2002)
(Sheriff Littlefield, book 1)
Scott Nicholson
"Like Stephen King, he has an eye and ear for the rhythms of rural America, and like King he knows how to summon serious scares."

In This Skin (2004)
Simon Clark
"Simon Clark has what it takes to be another Stephen King."
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In the Closet, Under the Bed (2009)
Lee Thomas
"A worthy successor to Clive Barker..."

The Corporation (2012)
J F Gonzalez
"J.F. Gonzalez is a writer to watch."

Infinity House (2012)
Shane McKenzie
"Unflinching and uncompromising, tough and talented, Shane McKenzie stands at the forefront of the next generation of horror writers."

Dungeon Brain (2012)
Benjamin Kane Ethridge
"[Ethridge] may very well point the way to the future of the genre."


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