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Following an eventful career as a public relations consultant, specialising in business and travel, Suzanne Goldring turned to writing the kind of novels she likes to read, about the extraordinary lives of ordinary people. Two of her novels have been placed in the Winchester Writers’ Conference First Three Pages of a Novel competition. Her novel The Way We Lied, can be read as a serial on her blog site, suzannegoldring.wordpress.com. She is currently working on a novel about delusion,deception and death, set in Corfu.
Suzanne drew on her experiences of living in a timbered 14th century house, where she raised two daughters and a variety of livestock, to write Powerless. All her other novels are pure fiction and any resemblance to any persons living or dead is purely coincidental.
Suzanne drew on her experiences of living in a timbered 14th century house, where she raised two daughters and a variety of livestock, to write Powerless. All her other novels are pure fiction and any resemblance to any persons living or dead is purely coincidental.
Genres: Historical
Novels
My Name is Eva (2019)
Burning Island (2020)
The Girl Without a Name (2020)
The Shut-Away Sisters (2021)
The Girl with the Scarlet Ribbon (2022)
The Woman Outside the Walls (2022)
The Girl Who Never Came Back (2023)
Burning Island (2020)
The Girl Without a Name (2020)
The Shut-Away Sisters (2021)
The Girl with the Scarlet Ribbon (2022)
The Woman Outside the Walls (2022)
The Girl Who Never Came Back (2023)
Suzanne Goldring recommends
The Golden Hour (2024)
Jacquie Bloese
"A delicious peep into the world of 'what the Butler saw', contrasting the drudgery of the steamy laundry with the sordid cigar smoke of the gentlemen's clubs. The characters and the setting were all portrayed with such vivid colour and conviction . . . there was also a strong element of defying the patriarchy, which resonates with issues today."
When I Come Home Again (2020)
Caroline Scott
"Wonderful and evocative . . . it was immediately intriguing and had the ring of truth. But what I realised . . . is that it is so much more subtle and complex than being just the journey to discover who Adam really is. It is not only about memory and identity, it's about the repercussions and tragedy of war, reaching out across vast swathes of society."
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