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Rebecca Makkai



Rebecca Makkai is a Chicago-based writer whose second novel, The Hundred-Year House, will be available from Viking/Penguin in summer, 2014. Her first novel, The Borrower, is a Booklist Top Ten Debut, an Indie Next pick, an O Magazine selection, and one of Chicago Magazine's choices for best fiction of 2011. Her short fiction has been chosen for The Best American Short Stories for four consecutive years (2011, 2010, 2009 and 2008), and appears regularly in journals like Harper's, Tin House, Ploughshares, and New England Review.
 

Awards: Andrew Carnegie (2019), LA Times (2018)  see all

Genres: Literary Fiction, Mystery
 
Novels
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Collections
   Music for Wartime (2015)
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Omnibus editions show
 
Books containing stories by Rebecca Makkai
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Growing Up Chicago (2022)
edited by
Lauren DeJulio Bell, Roxanne Pilat and David Schaafsma

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Awards
2019 Andrew Carnegie Medal for Excellence in Fiction : The Great Believers
2018 Los Angeles Times Book Prize for Fiction : The Great Believers

Award nominations
2019 Pulitzer Prize for Fiction (nominee) : The Great Believers
2019 ALA Notable Books for Adults (nominee) : The Great Believers


Rebecca Makkai recommends
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The Felons' Ball (2025)
Polly Stewart
"The Felons' Ball is full of secrets - ones that refuse to reveal themselves and ones that refuse to stay buried. It's also full of wit and empathy and characters as real as your own family members. This novel is assured, propulsive, and thrilling, and I tore through it."
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Fox (2025)
Joyce Carol Oates
"I can't remember the last time I read something so (darkly, disconcertingly) addictive that yet bears so much realism and nuance and depth. Oates is a genius in the truest sense of the word - fearing nothing, including radical reinvention - and Fox is, to my mind, her most compelling book in her remarkable career."
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Casualties of Truth (2025)
Lauren Francis-Sharma
"With laser-sharp prose and a keen eye for psychology, Casualties of Truth gives us a story of vengeance, justice, and the mutations of memory . . . This is a world in which no one is perfect, no one is at peace, and nothing can truly be forgotten. As riveting as it is important."

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