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Ocean Vuong


Vietnam (b.1988)

Born in Saigon, Vietnam, Ocean Vuong attended Brooklyn College. He is the author of two chapbooks as well as a full-length collection, Night Sky with Exit Wounds. A 2014 Ruth Lilly Fellow and winner of the 2016 Whiting Award, Ocean Vuong lives in New York City.
 


Genres: Literary Fiction
 
Novels
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Collections
   Burnings (poems) (2010)
   Night Sky with Exit Wounds (poems) (2016)
   Time is a Mother (poems) (2022)
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Books containing stories by Ocean Vuong
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Breaking Into Blossom (2025)
Poems with Extraordinary Endings
edited by
Luke Hankins and Nomi Stone
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Another Last Call (2023)
Poems on Addiction and Deliverance
edited by
Kaveh Akbar and Paige Lewis

Award nominations
2026 Andrew Carnegie Medal for Excellence in Fiction (longlist) : The Emperor of Gladness
2021 Dublin Literary Award (nominee) : On Earth We're Briefly Gorgeous
2020 PEN/Faulkner Award (nominee) : On Earth We're Briefly Gorgeous
2020 Andrew Carnegie Medal for Excellence in Fiction (longlist) : On Earth We're Briefly Gorgeous
2020 ALA Notable Books for Adults (nominee) : On Earth We're Briefly Gorgeous
2019 Kirkus Prize for Fiction (finalist) : On Earth We're Briefly Gorgeous
2019 Barnes & Noble Discover Prize for Fiction (shortlist) : On Earth We're Briefly Gorgeous


Ocean Vuong recommends
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Palaver (2025)
Bryan Washington
"Palaver is the pinnacle of what has become Washington's classic approach to writing: care, humor, tenderness, and an embrace of human beings at their most vulnerable, lovely, and wounded. It's such a joy to see the summation of his generosity of thinking and living actualized in the sentence. Fiction-no-life is better because Washington is writing."
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Pity (2024)
Andrew McMillan
"A deeply felt and rich enactment of love, loneliness and personal triumph that leaves an indelible mark on modern Queer life. With the poet's precision and capacious resistance to resolution, wherein doubt is transformed into force, McMillan's first foray into fiction is a magical one."
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Day (2023)
Michael Cunningham
"Michael Cunningham, the perennial master of rendering the quotidian with a profound and deeply considered eye for human frailty, returns with a book that exemplifies the hallmarks of his style: lush, erudite, voracious in its seeking. Like a true poet, he remakes the world in his descriptions, freshened with care and compassion and tinged with the radiant heat of grief. What a quietly stunning achievement."

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