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533 books added
533 books added
Adam L G Nevill
(b.1969)Adam Nevill was born in Birmingham, England,and grew up in England and New Zealand. He is the author of the supernatural horror novels, Banquet for the Damned, Apartment 16, and The Ritual. He lives in London
Awards: BFA (2020) see all
Genres: Horror
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Novels
Banquet for the Damned (2004)
Apartment 16 (2010)
The Ritual (2011)
Last Days (2012)
House of Small Shadows (2013)
No One Gets Out Alive (2014)
Lost Girl (2015)
Under a Watchful Eye (2017)
The Reddening (2019)
Cunning Folk (2021)
The Vessel (2022)
All the Fiends of Hell (2024)
Monumental (2026)
Apartment 16 (2010)
The Ritual (2011)
Last Days (2012)
House of Small Shadows (2013)
No One Gets Out Alive (2014)
Lost Girl (2015)
Under a Watchful Eye (2017)
The Reddening (2019)
Cunning Folk (2021)
The Vessel (2022)
All the Fiends of Hell (2024)
Monumental (2026)
Collections
Before You Sleep (2016)
Some Will Not Sleep (2016)
Before You Wake (2017)
Hasty for the Dark (2017)
Wyrd and Other Derelictions (2020)
An Accumulation of Dread (2023)
Some Will Not Sleep (2016)
Before You Wake (2017)
Hasty for the Dark (2017)
Wyrd and Other Derelictions (2020)
An Accumulation of Dread (2023)
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Books containing stories by Adam L G Nevill
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Awards
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Adam L G Nevill recommends
Itch! (2025)
Gemma Amor
"Gemma Amor leads us on a disturbing hike through a shadowy forest of a story, where taboo, trauma and ancient presences grow wild, and where human malevolence seems to know no limit. A story that immediately strikes the reader as mattering deeply to the author. Without that quality, there is always something missing."
William (2024)
Mason Coile
"I read and enjoyed William in a single sitting, as if it were a story from a classic horror comic... Impressive horror as entertainment - with insights into male identity and original speculations on the consequences of playing God with tech."
Horror Movie (2024)
Paul Tremblay
"Complex and insightful. Eminently readable and intelligent. Above all, disturbing ... Paul Tremblay has artfully crafted a dual narrative, and an absorbing story of creativity becoming mania, and the ugliness (and danger) of morbid self-obsession ... I left the story wondering if our secret, damaged identities should remain masked, secreted under a bed and left in the dark. Above all, you should remain in your seat until the end credits of Tremblay's Horror Movie."
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