Joshua Ferris's picture

Joshua Ferris


USA flag (b.1975)

Joshua Ferris's first novel, Then We Came to the End, won the Hemingway Foundation/PEN Award and was a National Book Award finalist. His fiction has appeared in The New Yorker, Granta, and Tin House, among others. His new novel, The Unnamed, was published in January 2010. He lives in New York.

Genres: Literary Fiction
 
Awards
National Book Award for Fiction Best Book nominee (2007) : Then We Came to the End
The Richard and Judy Best Read of the Year Best Book nominee (2008) : Then We Came to the End
The Man Booker Prize Best Novel nominee (2014) : To Rise Again at a Decent Hour


Joshua Ferris recommends
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Girl Trouble (2009)
Holly Goddard Jones
"Jones has a voice as expansive, complex, and beautiful as the country itself."
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The Outside Lands (2016)
Hannah Kohler
"Outside Lands is a fine and moving portrait of family ties in wartime."
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This Could Hurt (2018)
Jillian Medoff
"All too often, characters in novels live in that rarified novel-world where real-life concerns like jobs and bills and the sudden vital need for a flowchart simply don’t exist. Jillian Medoff remedies this with a refreshingly authentic portrait of corporate America and the varied souls that dream, conspire, flounder and triumph there, and this she does with a great deal of affection and charm. A very enjoyable book."
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Vengeance (2018)
Zachary Lazar
"Zachary Lazar's Vengeance is an elegant act of imagination and empathy that shows just how easily these can curdle, sometimes irretrievably, into skepticism and self-doubt. It's the story of a writer with a haunted past who meets, on a visit to Angola, a prisoner currently serving a life sentence for murder. Does he belong in prison, or is he, as he credibly claims, an innocent man? Or is the truth only ever a matter of speculation and the stories we choose to tell?"
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Rough Animals (2018)
Rae DelBianco
"A wild and alive debut, full of grit, gunfire, blood, and bad news. Rough Animals is as phantasmagoric as McCarthy and as pitiless as Jim Thompson. A rare treat."
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The Wall (2019)
John Lanchester
"A dystopian distillation of our troubled times, and an allegorical glimpse at a still-grimmer future, The Wall reminds us that even as politics corrupts and destroys and presses on undiminished, the soul erupts in surprising places to act as counterpoint and resistance. This patient, direct, suspenseful novel is one such eruption, and a civilizing comfort amid the simmering bloodlust."

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