Joanna Cannon was born in a small Derbyshire town, at the very edge of the Peak District National Park. As an only child of an only child, a great number of her friends lived within the pages of a book, and she soon discovered what would become a life-long fascination with words, stories and character.
Jo left school at fifteen with one O-level and worked her way through many different jobs: barmaid, kennel maid, pizza delivery expert, and although these experiences may not have felt useful at the time, they gave her a breadth of understanding about people which would later become invaluable.
Genres: Literary Fiction, General Fiction, Mystery
Joanna Cannon recommends
The Last of Us (2016)
"A story about the strength and fragility of human nature. Rob Ewing's writing is powerful, compassionate and brilliant. I absolutely loved it."
The Night Visitor (2017)
"Elegant, clever, beautifully written . . . Lucy Atkins is, quite frankly, a genius."
Tin Man (2017)
"It's exquisite. There are stories you just feel privileged to read. Sarah's writing breaks you and heals you, all in the same moment, and I haven't been so moved, and so in love with a book and its characters in a very long time."
The Upstairs Room (2017)
"An incredible read. Clever, chilling, I couldn't put it down."
The Woman in the Window (2018)
A J Finn
"Amazing. What an elegant, beautifully written thriller. I loved Dr Fox from the word go, and the twists and turns were just exquisite. It's so rare to find a story so compelling, yet so gracefully told the flair and class of Hitchcock on every page. It's quite a cliche, but I was genuinely walking around the house/answering the door/eating my meals with the book in my hand."
"Just *wonderful*. A breath of fresh air in a book. Sal is a story with incredible heart, told so beautifully and with such clarity and grace I can hardly believe it's a debut! I loved it."
Days of Wonder (2018)
"So powerful, yet incredibly gentle and poignant. Utterly and completely beautiful."
Take Nothing With You (2018)
"Safe in the arms of Patrick Gale's BEAUTIFUL writing again - I could weep with joy."
The House on Vesper Sands (2018)
"Clever and funny and exquisitely disturbing, an utter joy."
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